Saturday, April 14, 2018

The 3rd of Lionel: The Switchtower

Well, the 2nd of Lionel was a fb post of a new still:

So this 3rd of Lionel is a look at one my fave of his silents, The Switchtower, released June 16, 1914, with Henry Walthall as the switchmaster. Mr B plays the apparent leader of a counterfeiting ring who also works as the engraver. There is action, drama, humor, more action, vague threats to the switchmaster's wife (Claire McDowell), and an interesting ending with a unique hero. Did I mention a train? This is a GREAT film!

Mr B manages to once more make himself seem young, though his size and height are also used to good effect. He actually indulges in some violent action, albeit slightly reluctantly, but we do see he is a tall and big fellow with floppy black hair and a babyish face--he was still midthirties here. Take a look:


 That grin though...


Color by me
This is a lovely and complete film, well worth a watch and available online: Check it out at the Internet Archive https://archive.org/download/TheSwitchtower/TheSwitchtower.mp4

Happy 3rd of Lionel Barrymore! 

Thursday, April 12, 2018

The First of Lionel: 1912, Friends and The New York Hat


Day 1: 1912, wherein Mr. B appeared in a whole lot of films, some of which are classics. A year with two of my favorite films ever, both available to view online!

Friends/ NY Hat (1912) Both directed by DW Griffith

             In FRIENDS: Grizzley Fallon Released September 23, 1912. 




           Lionel Barrymore had appeared in only 2 films for Griffith when he was given a significant role in FRIENDS, as the friendly, somewhat befuddled prospector Fallon, back in the local town after some time away prospecting. He becomes enamored of Mary Pickford’s Dora, who is bored in the mining town but generally in love with Henry B Walthall’s “Dandy Jack”. Fallon awkwardly woos Dora after meeting her—he’s stumbling and shy and in some ways rather cheesy—a terrific contrast to his bulk; at 5’10”, he seems to stand out in the film and of course was much bigger than Walthall.  But he seems to know how to use his size and body well to communicate on film—an invaluable skill for silent films!
By the time he made this film, Mr. B was 34 years old and had not been tremendously successful in his recent past on the stage. In spite of his age and relative film inexperience, though, he manages to make Fallon a youthful, flop-haired man-boy enamored of Dora, who blows him off initially. He is also a “man’s man”, as seen in the bar scenes and his entrance, where he is greeted enthusiastically by other prospectors. Walthall’s Jack is indeed a dandy and, while handsome, also seems a little potentially boring. But Fallon insists he and Jack will still be friends even though Dora has chosen the goofball Fallon for her love.
A fun film, lovely camera work, and beautiful acting by the film neophyte Lionel Barrymore. You might also make a note—the hat he wore here appeared several more times on him in other Biograph films! 

In THE NEW YORK HAT: Preacher Bolton Released December 5, 1912.







Color by me

THE NEW YORK HAT has long been acclaimed a wonderful film, with a great plot, great acting, and a swift pace. In this Griffith film, Lionel Barrymore plays a very young-looking Preacher Bolton, the fresh-faced shepherd of a somewhat gossipy and judgmental flock. He is first met at the deathbed of one of his flock, an old lady whom we discover has not enjoyed life. She dies leaving a daughter (played by a fantastic Mary Pickford) under the thumb of a sour old father and asks the preacher to spend some money the woman managed to save on her daughter, to buy her the pretty little things girls seem to like.
Needless to say, things go south, but the interplay between Pickford and Barrymore is both sweet and sensitive. It’s a great performance from a man who had played a burly goof in FRIENDS and had been in several action/Westerns the same year prior to this. And yes, in this film he wears the same hat he wore in FRIENDS and other films of 1912, including THE CHIEF’S BLANKET.
Mr. B played a few sensitive and thoughtful parts, and even a couple of “Lover” roles in 1912, but his preacher here is different; though he ends up with the girl here, his method of attracting her to him seems tangential to trying to help her feel her mother’s death less. Always a good “hand” actor, he uses his body and hands to great effect here, gesturing gently when speaking to Pickford, in contrast to the bull-in-a-china shop gesticulations of the old man and the gossipy townsfolk. He also has this amusingly sweet look on his face when he seems to conceive the idea of asking for Mary’s hand in marriage now that the dead woman’s intentions are made clear to the old man who was about to smack the preacher upside the head for buying the expensive hat for his daughter. Mr. B’s ability to make himself seem a little vulnerable, young, and sensitive in this film is a wonder and a thing to behold. Among my favorite of all his films!

Happy 1st of Lionel!

Tuesday, April 10, 2018

April Fooling! The 16 days of Lionel commence soon!

Courtesy Bob Fells, SFT on FB

Once more, it's here! The 16 Days of Lionel, building up from his (base lie!) claim of birthday on April 12 in his bio to his actual birthday of April 28! Honestly, because I can.

I believe this go-round, I'll pick out my favorite roles of Mr. B and  offer a brief disquisition on each. I have not yet a sense of what order I might go in, but I've certainly thoughts on which roles I'll be working on. Some might be surprising, some not.

In the meantime, enjoy Bob Fells' clever photoshopping job above, with John from Romeo & Juliet and Lionel in Paris After Midnight.


Thursday, March 15, 2018

The Ides of March edition

Mr B as Mathias in The Bells, a fun silent with Boris Karloff as well.
I am not really prone to superstition (and my cat-twins Benni and Bjorn were born on this day 9 years ago), so I'm more likely to celebrate the Ides of any month. But of course, there is the historical murder of Julius Caesar (though given that was pre-Gregorian calendar change, I wonder when the date really was!) and all that fallout...so...

Lionel Barrymore confessed to at least one superstition, that of not looking at the shiny, lit-up Wrigley gum ad atop a building in New York City (as he was rounding the corner of Broadway and 45th street) when he lived there. According to Mr. B, he and John avoided looking at it, though he said he had no idea why they thought to see it was bad luck. I believe the ad or image he was probably looking at was as follows:

1922 view of Times Square--ad upper left

Later on, he would have been appalled by seeing what replaced the ad which Wrigley had constructed in 1917 with this monstrosity in 1936:

Ad upper right--Bway, Times Square, looking north from W. 44th street, in 1939. Was there from 1936-60
a postcard of the ad above
You can catch a glimpse of it in old color footage on this youtube video below!
Vintage NY Neon--the ad is early

 Now as a Cubbies fan, I can't hate on the Wrigleys, and I've quite enjoyed their gum over time. Chiclets are the best!  But in any event, the fortuitous averting of his eyes, according to Mr B, meant he ran into his agent Maury Small (literally), who talked him seriously into movies with BP Schulberg. The rest was cinematic history!

Happy ides of March, all!



Wednesday, February 14, 2018

Happy birthday to little brother John!

Per his birth certificate (not the family bible), John Barrymore was born on, yes, Valentine's Day, 1882, in Philadelphia, PA.  He tells amusing stories (or the stories are reported as if he said them) of feeling he MUST have been born on this day, and his friend Helios Hotchener seemed to provide some kind of verification via the stars.  Ok, I don't know about that, but big brother and big sister were certainly on hand to welcome John Sidney Blythe.  I was a Jack fan well before I became a Lionel fan, and I do appreciate his work and am of course a bit sad at the way his early brain damage via alcohol abuse warped his life--but he seemed to have a good time and tried to be a good guy when he could.

So here's to you, Jake! Enjoy the eternal roses.


With third wife Dolores Costello, after their wedding in Yuma, AZ

h/t this blog--Mary Astor and Jack

Gorgeous portrait!

My own Jack Valentine--in Topaze

Sunday, February 11, 2018

Lionel's got a brand new grab!

... Sorry about that. But a not quite lost Mae Marsh film (The Little Tease, 1913) had been youtubed and Bob Fells managed to grab me an image of Mr. B in his compelling role of Man at Bar:



 
Ah, what a part! :) See it at: The Little Tease, 1913 Excellent music for it too! Henry B Walthall appears to good effect.

And in time for Valentines /Ash Wednesday /John Barrymore's birthday!

Thursday, January 25, 2018

Calendar gifts!

I know it's a bit late, but here are some calendar gifts for the Barrymore-minded among us:

My creation--prints best smaller, like 8x10

courtesy Bob Fells, SFT (prints best at about 8x10)

courtesy Bob Fells, SFT (prints well at 11x17). His brilliant photoshop of 2 Barrymore films, Romeo & Juliet and Paris at Midnight.