America, as Capt. Walter Butler--cleaned up by me |
As Neri in The Jest, 1919 |
The Jest, 1919 |
First MGM publicity portrait, c. 1926 |
Portrait, c. 1906 (?) |
Lionel and John Barrymore in Arsene Lupin |
As Alfred Davidson in Sadie Thompson (1928) |
As Vautrin in Paris at Midnight |
Screengrab from Mysterious Island (1926/29) |
Sketches by Disney artist of LB |
(Above, 1920s or early 30's portrait)
|
Unseeing Eyes (lost film) |
The Switchtower |
1932, Rasputin and the Empress SCROLL DOWN FOR A COLORING BOOK OF SORTS! |
Vanity Fair Edward Streichen 1932 portrait |
As The Greek in The Show, 1927 (screengrab) |
1927, The Show |
In the stage version of The Copperhead, 1918, as Milt Shanks |
Promo pic for Arsene Lupin. Note omnipresent cig in Mr. B's hand |
Andre Dakkar, Mysterious Island |
Mysterious Island |
As Billy Saunders in Strongheart, HB Walthall on the right as title character. |
Lionel and Jack, 1917, around the time of Peter Ibbetson and other stage hits |
Body and Soul, Dr Leyden |
The Lucky Lady, as Count Ferrenzo (screengrab) |
In America, logos removed by J. Finkielman (gracias!), tidying by me |
Metro pennant 1920s |
The Greek, in The Show, 1927 |
As Grizzley Fallon in Friends, 1912 |
Washington Masquerade, with cat! |
And because I can--John B as Mercutio in Romeo & Juliet |
It's nice to know I'm not alone. I've loved Lionel since the first time I saw him. I'd argue with anyone that he's the best ever put on screen.
ReplyDeleteDef not alone!
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